Solace of Art

People do what is good only when they want to.

Last week, when I found myself in times of trouble, Mother Mary didn’t come to me. She was in a different neighborhood of Minneapolis with other matters to attend.

The trouble I found that day was not racist murder in the street, but mass murder in the air. Not perpetrated by four deranged police officers, but thousands of passive-aggressive shoppers and sales associates at The Home Depot. Most of whom were utterly indifferent to Covid-19. I watched as they crowded into and out of the big box emporium, with checklists and parcels, without face coverings or hand sanitizers — NIH and CDC be damned! I watched and wondered: have I witnessed a more convincing demonstration of ingrained stupidity? Ever? I have not.

I sometimes refer to regular folks like those at The Home Depot as Joe and Ms. Sixpack — thus trying to dignify a condescending meme coined by a political moron more than ten years ago. I have claimed — without much evidence — that the Sixpack clan will overcome their acute health illiteracy and risky habits, their blimpy form factors and medication maladroitness, and they will take better care of themselves and their families, if only they are better informed about the science of the body and nudged to wellness. My self-appointed job is to inform and nudge; their job is to be happy and live in peace.

As a passionate health promoter, I have watched for months as governments and the fourth estate flooded the entire population with health information (scientific and otherwise), across all media, at all times of the day and night, from every conceivable point of view. A sentient adult cannot by now be ignorant of the incurable and unpreventable Covid-19, nor of the potentially mortal consequences of being infected or infecting others, nor of the ONLY ways to control it: social distancing and personal hygiene. According to my understanding of the Sixpacks, this worldwide tsunami of health promotion delivered more than enough information to warrant their high health literacy and acumen from coast to coast, at least when it comes to communicable disease.

To judge by my observations in Minneapolis, I was wrong. The Sixpacks were blithely committing mass murder in public and private spaces like The Home Depot in Minneapolis, where coronavirus can freely swirl into faces and smear onto the hands of every incautious person who happens to be present, and afterwards into and onto everybody else they meet. Given the quality of health promotion that preceded this dreadful historical moment, the pandemic should not be continuing now. Yet more than 100,000 deaths and more than a million infections later, with dire predictions of a nasty resurgence coming in the autumn, the evidence so far seems to show that health promotion doesn’t work and doesn’t matter in the United States.

I don’t accept that conclusion, but at the same time concur that it’s reasonable. After all, Humaginarium was founded on a premise that traditional health promotion — including health education — doesn’t work and has never worked well; that a different approach is needed to produce a different outcome. The rationale being that people will do what is good for them and others only when they want to. This new approach is conditioned by the solace of art.

Art is using the imagination to create and experience beautiful things. Art has existed as long as Homo sapiens; it is arguably what makes us human. Solace is the comfort we give or seek in grief, the alleviation of pain or fear or anger or anxiety. As a word for being cheered up and amused despite sorrow, solace has been around since the 12th century.

A few hundred years after solace entered the Middle English lexicon, a poet named John Donne wrote his Devotions Upon Emergent Occasions (1624). In these lines, he both defined and exemplified the solace of art: its power to heal and encourage, no matter what the circumstances are.

How does art do this? By writing a prescription? No. By telling the Sixpacks what to do? No. By making them oblivious or stupid? No. By improving their healthcare? No. Art works by facilitating understanding, choices and decisions to do what is right and good for ourselves and for others we rely on, and who rely on us.

I’m giving you a particular Devotion below without further explanation; you’re an adult, you’ll figure out what it means without my help, if you want to. But I’m giving it to you with an earnest request in these times of trouble: that you read it slowly and slowly think about its meaning. What it means not to me or to society or history or Ernest Hemingway, but to you individually and personally, right now.

Because believe it or not, you yourself are the most beautiful and wonderful thing in all of creation, and you deserve to be happy and healthy, and you have the right to demand it, and the power to achieve it. And now in memory of George Floyd and with love for every person who will someday come to Humaginarium with an illness that may never end, I declare and insist that no person is an island; and that even one person’s needless suffering or death diminishes us all.

For Whom the Bell Tolls, by John Donne
No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thine own
Or of thine friend’s were.
Each man’s death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.